Artist
Musician
Craftsman
Glutton
Sea Warrior
Pokemon Trainer
Crimson Blade Mercenary
Wheel Turner
Lover
Life Changer

 

pianowires:

and people say anime is shit.

did this motherfucker just suplex a goddamn deer?

(Source: piyox22)

With these tinplate arms, I can’t even feel your warmth vanish as you die.

THE SOUND OF ME SCREAMING AND CRYING (via sanjifap)

experimentsinmotion:

Refinery Kitsch: David LaChapelle’s “Land Scape” Photography

Artist David LaChapelle tackled fossil fuels in his 2013 photo series “Land Scape,” which captured models of oil refineries assembled from cheap, mass produced found objects. Applying the flashy pop aesthetic and intricate staging he had become known for in his fashion and celebrity photographs, LaChapelle created garish and otherworldly portraits of industrial production. Carefully assembled by professional Hollywood model-builders and lit by hundreds of LEDs, the refineries appear to be real at first glance. Yet a closer look reveals that spherical storage spheres are medicine balls, pipes are straws and hair curlers, and smokestacks are painted Pringles cans. These items, of course, are derived from petroleum by-products, a reminder of the scope of our reliance on fossil fuels. The dazzling, retro-futuristic industrial aesthetic LaChapelle creates, evocative of the lurid sheen of Hollywood celebrity, speaks to both the power and profligacy of the fossil fuels industries. 

(Source: youtube.com)

littlelimpstiff14u2:

SHINTARO OHATA

Born in Hiroshima, 1975.
Shintaro Ohata is an artist who depicts little things in everyday life like scenes of a movie and captures all sorts of light in his work with a unique touch: convenience stores at night, city roads on rainy day and fast-food shops at dawn etc. His paintings show us ordinary sceneries as dramas. He is also known for his characteristic style; placing sculptures in front of paintings, and shows them as one work, a combination of 2-D and 3-D world.

Japanese artist Shintaro Ohata (previously) currently has two new sculptural paintings on view at Mizuma Gallery in Singapore. Ohata places vibrantly painted figurative sculptures in the foreground of similarly styled paintings that when viewed directly appear to be a single artwork. In some sense it appears as though the figures have broken free from the canvas. These artworks, along with several of his other paintings, join works by Yoddogawa Technique, Enpei Ito, Osamu Watanabe, and Akira Yoshida, for the Sweet Paradox show that runs through August 10th

Txt Via Colossal